Education
1996 - 1998; A Royal College of Art, LONDON
1995-2001; PhD Fine Arts -completed 2001- University of BARCELONA
PhD Thesis: “From Recurrence to Multiplication: Repetition and Seriality from 1960”
(Premio extraordinario de Doctorado 2005)
1990-1995; BA (equivalent) degree (Licenciatura). Facultad de Bellas Artes, Universidad de BARCELONA
1989-1990; Foundation (equivalent) at Instituto Neumann, Caracas and Prodiseño, CARACAS
Jan-Apr 1994; Erasmus, École Nationale superièure des Beaux-Arts, PARIS
Summer 1997; Erasmus, Hochschule der Kunste, BERLIN
Solo exhibitions
2006; "Jaime Gili makes things triangular at Riflemaker". LONDON
2005; "Screen", Mosaic Building. MIAMI (USA)
2003; "RUPT" Jerwood Artists Platform. Jerwood Space. LONDON *
2000; "Go Faster Stripes and Other modernist Myths" Gallery Westland Place. LONDON
"Josh’s Garage" BOX23. BARCELONA
1997; "CUTOUTS" Hockney Gallery, RCA, LONDON
1995; "Pinturas de Lego" CCSA, BARCELONA
"Small Fonts" Área, BARCELONA
* denotes catalogue
Group exhibitions
2006; Premi de Pintura. Centro Municipal de las Artes de Alcorcon MADRID (E)
Premi de Pintura. ESPAI. Centre d’art contemporani de CASTELLO (E)
Villa Jelmini. The complex of respect. Kunsthalle BERN (CH)
2005; Tipos Móviles. (Curated by Jaime Gili and Luis Romero). Gallery 39. LONDON
Ciclope. Visiones contemporaneas en video. ONG, CARACAS
Nineteenthirtysix. (Curated by Jaime Gili). International Style. LONDON (UK) * (Forthcoming)
coalesce: remix. Redux. (Curated by Paul O’Neill) LONDON (Forthcoming)
Budget Bureau (Curated by Clare Goodwin) Centre d’Art Contemporain. GENEVA (CH)
2004; Expander.(curated by Mustafa Hulusi). Royal Academy of Arts. LONDON
coalesce: with all due intent. (Curated by Paul O’Neill). Model arts and Niland Gallery. SLIGO (IR)
PR’04 (Tribute to the messenger) (Curated by Michy Marxuach) MM Proyectos. PUERTO RICO
‘Pub Crawl’ – 39 Mitchell St. LONDON
Salón Cantv – FIA Caracas (Curated by Carlos Palacios) CARACAS (VEN) *
coalesce: mingle-mangle London Print Studio Gallery (Curated by Paul O’Neill). LONDON
coalesce: 2 Palma XII Gallery (Curated by Jaime Gili). BARCELONA (E)
2003; The Bold & The Beautiful. New Art From London. Carnegie Gallery. HOBART (AU) *
The Bold & The Beautiful. New Art From London. RMIT Gallery. MELBOURNE
Premio Mendoza. Sala Mendoza. CARACAS *
Alejandro – Joao. (with Ali González) CREA 10. CARACAS
“Contra-Sentidos. Nueva Fotografía Venezolana” Sala Mendoza. CARACAS
2002; The Bold & The Beautiful. The Pavillions. Mile End Park. LONDON
Artissima. Garage Regium Arte. TORINO (IT)
Stand Galería Palma XII. ARCO. MADRID
The Hunters Garage Regium Arte. MADRID
2001; Superposed. (Curated by Jaime Gili) Ferguson McDonald, LONDON
Is It any Wonder?. Galería Palma XII. BARCELONA
L’Oréal Painting Prize. MADRID (E) *
Bienal art Contemporani Catalá 2000. (E) *
Prospects. BritArt.com / PizzaExpress. LONDON
2000; GENERACION 2000. Touring (E) *
Bienal art Contemporani Catalá 2000. CATALONIA & ANDORRA (E) (AND) *
1999; EAST International. NORWICH (UK) *
“Social Security” RCA. LONDON -
“Seguridad Social” Ex-Teresa Arte Actual, MEXICO DF (MX) *
L'Oreal Painting Prize, MADRID *
1998; “The Neighbouring shore”. Bolívar Hall. LONDON
VIII Bienal Ciudad de Oviedo. Museo de Bellas Artes de Asturias. OVIEDO (E) *
Summer Show, Royal College of Art. LONDON *
1997; XII Mostra d'art contemporani catalá, touring (E) *
1996; “Copiacabana”-collaboration with Fede Guzmán. MEIAC, BADAJOZ (E)
1995; Group exhibition UBS, LONDON *
“STOP WAR” work on paper, MLADIH biennale, RIJEKA (CR) *
“PATRIM' 95” Recent adquisitions of the Univ.of Barcelona, Sala Balmes 21, BARCELONA *
1993; “Avui és demà”, a tribute to Joan Miró, Sala Gaspar. BARCELONA
* denotes catalogue
Bibliography
On JG / including JG:
Berkenwald, Melina. London – Buenos Aires. (Interview). Ramona 52. Buenos Aires. June 2005
Mullholland, Neil. Expander. Frieze 88. January February 2005
O’Reilly, Sally. Jaime Gili. ‘Expander’ catalogue of the exhibition. London 2004
Ryan, David. “London Reviews: Jaime Gili” ArtPapers. Atlanta, May June 2003
Herbert, Martin. “Jaime Gili” Time Out. #1693 London, January 29, 2003
Güner, Fisun. “Pull up to the bumper, Baby” Metro UK, London, January 17, 2003
Falconer, Morgan. "Auto Art", What’s on in London, London, January 22, 2003
Boix, Leonardo. “Jaime Gili”, Noticias LatinAmerica. London, April 2003
Lack, Jessica. “Jaime Gili”, The Guide – The Guardian. Saturday January 11, 2003
Thompson, Henrietta. “Quick on the draw” Blueprint. January 2003. London 2003
Craddock, Sacha. “Jaime Gili” in the catalogue of the exhibition Jerwood artists platform. Jerwood Space. London 2002
Boix, Leonardo. “Transbarroso – 15 Latin-American Artists in London”. Cemvo, London, 2002
Marchán Fiz, Simón. “La expansión de la pintura en las auras frías” catalogue Premio de pintura L’Oréal. Madrid, 2001
Rego, Juan Carlos. “El fértil desierto. Organizaciones de Arte independientes en España”. B-Guided 5. Barcelona, 2000
Morris, Lynda et al. 10th East international. Norwich Gallery. NSAD. Norwich, 2000
VVAA. Catalogue. Generación 2000. CajaMadrid. Madrid 2000
Canals, Josep et al. XII Biennal Mostra d’Art contemporani catalá 2000. Canals, Galería d’Art. Barcelona, 2000
Marchán Fiz, Simón et al. Catalogue Premio de pintura L’Oréal. Madrid, 2000
López de la Torre, Ana Laura. Daydeam. Programme. Belt: a space in between @ whitechapel Art Gallery. London 2001
López de la Torre, Ana Laura and Gili, Jaime (ed.) Pulgar 10. MAO. Caracas, 2003
Naya, Corando. “The Neighbouring Shore” Diáspora nº 2, London, January 1999
Morris, Lynda. East international 99. Norwich Gallery. NSAD. Norwich, 1999
Gili, Jaime. “Painting Speed”, LAPIZ, nº 157, November 1999
Huxley, Paul et. al. The TI group art collection. TI Group. Oxon, 1999
Millard, Rosie. “Summer Pudding” . Art Review. London, July-August, 1998
VVAA. Catalogue “VIII Bienal de pintura Ciudad de Oviedo” Museo de Bellas artes de Asturias. Oviedo, 1998
Higgs, Matthew and O’Kane, Paul. Swell. Royal College of Art. London, 1997
Gili, Jaime. “The same” Wreck, nº 2, Royal College of art, March 1997
Viarda, Andrea et al. “Social Security” Royal College of Art and Ex-Teresa Arte Alternativo. Mexico - London, 1998
Torres, David G., “Jaime Gili T. El mundo es pintura” Manía, nº 2, Fac. Philosophy, Univ. of Barcelona. Spring, 1996
“Dues visions diferents de la realitat”, Regió 7, Manresa, October 24, 1992
El punto de las artes, Madrid. October 1992
By JG:
Gili, Jaime “Tomoko Takahashi” LAPIZ, 214. April 2005
Gili, Jaime “Brasil-Argentina” LAPIZ, 210. January 2005
Gili, Jaime “Tobias Rehberger” LAPIZ nº 208, November 2004
Gili, Jaime “Hurvin Anderson” LAPIZ, nº 198 , December 2003
Gili, Jaime “70’s at 30” in the catalogue The Bold & The Beautiful. New Art From London. RMIT Gallery. Melbourne, 2003
Gili, Jaime “The multiplied cage” Lapiz 194. June 2003
Gili, Jaime. “Pavilions – Bloomberg Space” Lapiz 193. Madrid, May 2003
Gili, Jaime “Anish Kapoor” LAPIZ, nº 188 , November 2002
Gili, Jaime "Richard Wentworth" LAPIZ, nº 186 , October 2002
Gili, Jaime “Manuel Saiz” LAPIZ, nº 185 , July 2002
Gili, Jaime “De Rijke – De Rooij” LAPIZ, nº 185 , July 2002
Gili, Jaime “Negociando la moral capitalista. Liam Gillick and AVL” LAPIZ, nº 184 , June 2002
Gili, Jaime. Untitled article in Manuel Saiz. “MYOB. A show about advertisement” Galería Trinta. Sant. de Compostela, 2002
Gili, Jaime “Beck’s Futures” LAPIZ, nº 183 , May 2002
Gili, Jaime “Raimond Chaves” LAPIZ, nº 182 , April 2002
Gili, Jaime “Keith Tyson” LAPIZ, nº 181 March 2002
Gili, Jaime “Bettina von Zwehl” LAPIZ, nº 179-180 February 2002
Gili, Jaime “Mike Nelson” LAPIZ, nº 177 November 2001
Gili, Jaime “Ian Kiaer” LAPIZ, nº 176 October 2001
Gili, Jaime “Michael Landy. BREAKDOWN” LAPIZ, nº 172, April 2001
Gili, Jaime “Christopher Wool” LAPIZ, nº 171, March 2001
Gili, Jaime “Plataformas y trampolines” LAPIZ, nº 169-170 February 2001
Gili, Jaime “Lothar Götz” LAPIZ, nº 169-170, February 2001
Gili, Jaime “Turner Prize” LAPIZ, nº 168, December 2000
Gili, Jaime “Jim Shaw” LAPIZ, nº 166, October 2000
Gili, Jaime “Matthew Higgs” LAPIZ, nº 164, July 2000
Gili, Jaime “David Batchelor” LAPIZ, nº 163, June 2000
Gili, Jaime “Ian Davenport” LAPIZ, nº 161, April 2000
Gili, Jaime “David Rayson” LAPIZ, nº 160, March 2000
Gili, Jaime “Francis Alÿs” LAPIZ, nº 159, February 2000
Gili, Jaime “En las Calles (Gabriel Orozco, Steve McQueen, Francis Alÿs)” LAPIZ, nº 153, May 1999
Gili, Jaime “Chris Ofili. No querer huir de lo que se vive” LAPIZ, nº 147, November 1998
Selected. Work in Public / Corporate Collections
Christie's Contemporary. UK
University of Essex Collection of Latin-American Art, (UECLAA). UK
Patrimoni. Universitat de Barcelona. BARCELONA
L’Oreal, MADRID. SPAIN
Royal college of Art. LONDON
Teaching / workshops imparted
University of Northumbria. Newcastle. School of Art & Design. Visiting Tutor BA/MA, February. 2005
Winchester School of Art & Design. Southampton University. Visiting Tutor MA. February 2005
Royal College of Art. (London) Visiting Lecturer. Jan-Feb. 2004
Camden Arts Centre. Master class London. Feb. 2004
Chelsea College of Art and Design BA-MA. (London) Visiting Lecturer. Feb. 2003
University of East London. Visiting Lecturer PhD. February - March 2003
The Ruskin School of Design and Fine Art. University of Oxford. Visiting Tutor. (Drawing) BA. March 2003
Workshop series in parallel to the show AVL Exhibition, Camden Arts Centre. London. May – Oct. 2002
Wimbledon School of Art. London. Visiting Tutor BA. Nov. 2001
University of Northumbria. Newcastle. School of Art & Design. Visiting Tutor BA, Oct. 2000
Children workshops at the exhibition of Marta Marcé and Sigmar Polke. MKG. Milton Keynes. March 2001
University of Barcelona. Visiting Lecturer. December 1999
Winchester School of Art & Design. Southampton University. Visiting Tutor BA. March 1998
University of Central England- Birmingham. Visiting Tutor BA. March 1998
Department fellowship. Painting Department. Facultad de Bellas Artes. University of Barcelona 1994 – 1995
Participant in “Time and Painting” conference. Paper on Speed and Painting. Hull School of Art and Design, Humberside Univ. June 1998
Participant in: “Painting and Time” talks day, with the same dissertation. Bow Arts Trust. London. Sept. 1999